Steven Spielberg At 50th Anniversary Of ‘Sugarland Express’: How Car Chase Pic Paved Way To ‘Jaws’ – Tribeca

SUGARLAND EXPRESS, William Atherton, Goldie Hawn, Michael Sacks, 1974 Everett Collection

In one of this year’s climaxes at Tribeca Film Festival, Steven Spielberg showed up to show off his first major studio theatrical release, Sugarland Express, which celebrates 50 years.

“You’re the first audience to ever see Sugarland Express in 50 years,” joked the 3x Oscar winning filmmaker at the packed BMCC screening in the lower west side of Manhattan.

Sugarland Express failed at the box office per Spielberg as audiences wanted to see a lighthearted Goldie Hawn in the movie movie, not to mention, it had a tragic ending.

Here’s some of the memories Spielberg shared this afternoon in a conversation with Variety’s Brent Lang:

-Spielberg based the movie on an article he read in a valley paper The Citizens News with the headline “Modern Day Bonnie and Clyde.” “It was the story of this couple in Texas, Bobby and Ila Fae Dent, who in order to get their baby back from child welfare, led a multi-car police chase through Texas, and it just seemed like an incredible story,” said the filmmaker. He sent the article to screenwriters Hal Barwood and Matthew Robbins, and off they went.

–Spielberg made the movie after the TV movie Duel, as people were sending him feature scripts. “It wasn’t like I fell of the turnip truck and fell into Sugarland Express,” said Spielberg who had five years of TV directing under his belt. However, Sugarland Express was the movie he wanted to make. Universal at the time was being run by Jennings Lang. The pic was produced by David Brown and Richard Zanuck who had a new deal at Universal, the duo having just left Fox. The filmmaker would reteam with Brown and Zanuck promptly with Jaws.

-Uni wouldn’t make the movie without a star. Goldie Hawn was Spielberg’s first and his producers were able to hook her. It was a very different role for Hawn at the time then known for her comedic chops in Cactus Flower, Butterflies Are Free, and Laugh-In. Spielberg was called up to her house. Why Hawn as the damsel in distress? “She has a pure and honest heart,” said Spielberg, “The movie wouldn’t have gotten made without her.” The director added that while William Atherton was a serious actor on set, Hawn kept the production “bouncing along” between takes with her laughter. Both Hawn and Spielberg were in their early ’20s. The actress taped a message before the Q&A exclaiming how the film was a defining moment in her career, and also for Spielberg.

–Legendary DP Vilmos Zsigmond was Spielberg’s first choice. The director simply phoned up the McCable and Mrs. Miller cinematographer. They had the same interest in the same films. Zigmond shot in real daylight, no lights. The movie also repped Spielberg’s first collaboration with John Williams, a working relationship now in its 51st year. Similar to Zsigmond, Spielberg was a fan of Williams’ scores, the composer relying on a harmonica player Toots Thielemans.

–There’s an upset over the ending. Spielberg discussed reshooing the ending with the scribes who told him he’d be crazy to do so. “They talked me immediately out of it,” said Spielberg. Univeral suits were upset by the ending of the movie, and demanded that a legend be placed at the end which read that Hawn’s character wound up with her baby. Spielberg refused. Execs insisted as audiences wouldn’t see the film unless they knew the mom got her baby back, and everyone was safe. Spielberg protested as far as he could. The studio got the legend placed at the end of the film and “people still didn’t come out to see the movie!” exclaimed Spielberg.

–Spielberg loved working with Brown and Zanuck. When Zanuck first watched Sugarland Express, he came with a big notepad and a pencil. When the movie ended, he handed the notes to Spielberg, and they were all blank. “I’ll never forget that. I did the same thing when Barry Sonnenfeld directed the first Men in Black and showed me the rough cut, I did the same thing, I gave him blank peach paper of notes.”

Despite the movie being a dud, it put him back to work with Zanuck and Brown on Jaws. Spielberg discovered the galleys of Jaws in their office. Their assistant let him read it, and Spielberg read over the weekend. “I was floored by it,” he said. They already had a director on it, but a month later, the filmmaker fell out and Spielberg was offered the movie. Trivia: Richard Zanuck’s son is in Sugerland Express, he plays Baby Langston.

Did Spielberg think of his movie during the O.J. Simpson Bronco chase? “I did! I did! I said, ‘Shit, they’re stealing my thunder!'”