Did you know that Satyajit Ray, the legendary Indian filmmaker known for his masterpieces like ‘Pather Panchali’ and ‘The Apu Trilogy,’ also created a remarkable documentary called ‘Sikkim’ in 1971?
Commissioned by the Chogyal (King) of Sikkim, this film served as a testament to the state’s sovereignty during a tumultuous era when it faced threats from both China and India.
Ray’s artistic vision captured the essence of Sikkim’s beauty and struggle, but ironically, the film faced its own battle with censorship. When Sikkim merged with India in 1975, the Indian government banned this documentary. Yet, despite this setback, Ray’s work endured.
In 2000, the copyright of the film was transferred to the Art and Culture Trust of Sikkim, and in 2010, the ban on the film was finally lifted by the Ministry of External Affairs.
However, the journey to preserve Ray’s masterpiece wasn’t without obstacles. When the Kolkata-based Satyajit Ray Society attempted to locate the original print held by the Chogyal’s family, they discovered it was irreparably damaged. Undeterred, they pursued a print in London, which had been safeguarded and eventually restored by the prestigious Academy of Motion Picture Arts and Sciences in 2003.
The journey of “Sikkim” from censorship to restoration serves as a powerful example of how art not only reflects society but also influences its trajectory, reminding us of the profound impact creativity can have on shaping our collective consciousness.
Follow #NEWay on ABP Live to learn more about the history and culture of Northeast India.
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